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国风美学画面吸睛,高还原度诚意之作《重紫》值得一看

时间:2023-07-21 13:54:56阅读:3642
由刘国辉、刘镇明执导,汤祈岑担任总编剧,杨超越、徐正溪领衔主演的古装仙侠剧《重紫》自2月15日在腾讯视频播出以来,播放热度和话题热度便始终居高不下。直至3月15日收官的这段时间里,微博主话题阅读量达4
  • 重紫
  • 励志
  • 杨超越 徐正溪 马闻远 邓为 李岱昆 林思意 郑国霖 杨欣颖

由刘国辉、刘镇明执导,汤祈岑担任总编剧,杨超越徐正溪 领衔主演的古装仙侠剧《重紫(杨超越 饰)》自2月15日在腾讯视频播出以来,播放热度和话题热度便始终居高不下。直至3月15日收官的这段时间里,微博主话题阅读量达45.2亿,讨论2525.4万条,全网热搜1927个,霸占猫眼、德塔文、vlinkage、云合、骨朵权威第三方数据平台3周。

究其能够在古装仙侠剧这一题材红海中杀出重围的根本原因,便是幕后团队在改编过程中尽力保留原著内核,做到角色尊重原著有升华,剧情尊重原著有细节,最大程度还原人物塑造与剧情故事。

像剧版《重紫》在塑造女主角重紫的人物特征时,就充分尊重了原著中重紫善良、单纯的性格特征。与此同时,编剧也根据当下观众审美趋势做出了适当的修改,让重紫呈现出了一种“嘴强王者”的状态:当自己前往南华山修仙时,身世被世家夫人嘲笑时,她立刻反击“至少我靠自己,不像有些人外表看起来光鲜亮丽,内里还不如我”;在与魔族护法阴水仙交手时,她也能立刻找准对方痛点,以“雪陵仙尊若在,定不愿见到天山弟子的血”化解危机。

这种在遇到不公对待时立刻回怼,面对误解时毫不犹豫立即反击,有问题就当面说清楚,面对选择干脆利落毫不拖泥带水的性格,也更加符合当下年轻人的行为方式。

至于原著中洛音凡(徐正溪 饰)被逼刺死重紫、万劫宫可然大婚、洛音凡对第一世重紫的两次度气这些或虐心或高甜的名场面,剧版《重紫》也是做到了一比一还原,也足见制作团队在细节上也精益求精。

除了人物性格与剧情内容高还原原著,《重紫》主创团队通过服化道与场地置景的细节雕琢,整体构建了一个浓郁国风美学风格的视觉世界。在服装色彩上,《重紫》秉承“低调的华丽”的主旨,不同颜色有着具体的指向代表。仙界以“梦中云”为改变,呈现五彩斑斓的白,凸显出仙人们天人合一、出尘的气质。但不同门派,如南华、青华、天山、昆仑都有各自的代表色,以体现仙门之间不同的特点,并非只有单调的白色。魔界以“石中水”为概念,呈现五彩斑斓的黑,并在细节上增添了一些神秘符号化的设计,凸显出魔族的神秘与不羁;在服装造型上,制式服装借鉴了魏晋时期服饰的风格,多以大气飘逸为主,同时根据剧中诸多角色的人物性格量身定做了极具辨识度的服饰细节。

除此之外,《重紫》选择以东方道家哲学为基础美学,对整个视觉效果进行优化与提升:运用国风传统淡雅色彩营造氛围,来展现仙界的大气恢弘,又通过深层次丰富的颜色变化,渲染出了仙侠世界的浪漫;运用绚丽的水、沉淀的石来构成,天空融入极光元素,来展现魔族的神秘。至于三清山、雁荡山等风景区的实景拍摄,让诸多只存在于想象中的场景有了具象的落地,也让整部剧更具强烈的真实感与代入感。

作为一部具有纯正东方风味的古装仙侠剧,《重紫》始终希望能够将真正的东方美学呈现给观众,所以主创团队格外传统文化的表达,不仅在服化道置景上多有传统文化元素的呈现,剧中重要场景譬如南华山,重要剧情如仙果林摘果,都在传统文化里有着明确出处。这种将人、事、物等剧集元素皆落于实处、让创作有据可考的创作模式,也充分展现了主创团队对于传统文化传承的践行。

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